It is the straight line in YY CHAIR which makes the piece static, increases its stability, helps to identify a structure which transfers the properties of a geometric solid to the wood.

A perfect synthesis of grace and refinement. Poltrona Frau pays tribute to Guglielmo Ulrich with the development of the mini armchair he designed in 1937. It was named after the famous architect and interior designer whose work graced many of Milan’s upper-class houses. The armchair is designed, with careful attention to geometry and form, in homage to Ulrich’s inimitable style.

Tradition can be glimpsed beneath this contemporary style which envelops and pampers you in your own private space. The harmonious proportions form a softly convex design with different volumes.

A great classic in a re-edition of the no.904 model from 1930. With ample springiness, this simple yet contemporary design will transform your living room and give you that extra edge.

Jean-Marie Massaud takes inspiration from the world of saddlery and designs GranTorino. A huge amount of freedom in how you put it all together. A modular sofa with an exquisite, original version. The high and slim armrest also presents intricate, careful workmanship. The small but spacious trunk-container also acts as an armrest and it’s out fitted with an elegant, natural oak tray. The cushions have beautiful horizontal stitching in the centre, which gives the sofa a sense of visual lightness.

Soft and welcoming. A protective place of refuge in which to lie down and relax. Two different configurations for the same comfort. Formal, with large rectangular backrest cushions or dynamic, featuring 60x60 cm square cushions.

Designed in 1965, the Dezza is a comfortable, light-weight and adaptable armchair, that has accurately been reproduced in a refined re-edition that enhances its formal beauty and stylistic uniqueness.

The zest for perfection can be seen in the capitonne effect workmanship and in the series of tacks that give a finishing touch. The vegetable horsehair of the padding in the backrest and armrests is hand-modelled.

A re-interpretation of the classic director’s chair. A clear-cut, linear crossover frame forms an X which supports the seat, the pouf and the small table.