The powerful design of Big Mama armchair in its classy legs and wide seating renders an autocratic appeal.

Chaise lounge. The form is very fluid, creating soft, irregular, enveloping, almost casual lines, where the fabric or leather is fixed to the shell with press-studs. A classically-shaped sofa appears to be wearing a shawl thrown over its shoulders.

Low table. An invitation to seek beauty in the imprecise, avoiding the temptation to take refuge in the paradigms of rationality, to describe a space defined by varying coordinates, broken lines which corrupt perception, promising an unexpected, splendid harmony.

Low table. An invitation to seek beauty in the imprecise, avoiding the temptation to take refuge in the paradigms of rationality, to describe a space defined by varying coordinates, broken lines which corrupt perception, promising an unexpected, splendid harmony.

Low table. An invitation to seek beauty in the imprecise, avoiding the temptation to take refuge in the paradigms of rationality, to describe a space defined by varying coordinates, broken lines which corrupt perception, promising an unexpected, splendid harmony.

Capitello is a loan and a subversion: the column end part is cut, removed from verticality; the abacus, in the overthrow, becomes pedestal, support for a pleated bud, flower open to seek the light, agile and lightweight object to use as a coffee table or sitting.

Clarissa is a dynamic easy chair,ready for action but open to relaxation, the temporary suspension of activity. A combination of competition and collaboration, provocation and aesthetics.

Diatom, a stackable aluminium chair, takes its shape from the frustum of a diatom, this primordial single-cell organism with silica skeleton found in bodies of water the world over.

A conceptual reinvention, a curved wooden frame which would be impossible to produce if not through injection moulding. The seat heralds a new form, nature is altered, with a moulded plastic product displaying all the visual and tactile characteristics of wood.