The shape is simple, the materials precious. A seat of lithe, natural elegance. Ideal for the scenography of contemporary living.

Chair completely upholstered and characterized by a high backrest makes it an important piece suitable for representative rooms of the house.

This magnificent tuft back loveseat is a delight with its elegantly designed form, further refined by its signature Chris-cross legs.

Aida gives relaxation a new meaning, offering sufficient space to relax, and the feeling of being on a cloud, thanks to the seat cushions made lighter by chrome-plated metal legs that raise the sofa in an elegant way, leaving free space under the seat.

Aida gives relaxation a new meaning, offering sufficient space to relax, and the feeling of being on a cloud, thanks to the seat cushions made lighter by chrome-plated metal legs that raise the sofa in an elegant way, leaving free space under the seat.

Aida gives relaxation a new meaning, offering sufficient space to relax, and the feeling of being on a cloud, thanks to the seat cushions made lighter by chrome-plated metal legs that raise the sofa in an elegant way, leaving free space under the seat.

Aida gives relaxation a new meaning, offering sufficient space to relax, and the feeling of being on a cloud, thanks to the seat cushions made lighter by chrome-plated metal legs that raise the sofa in an elegant way, leaving free space under the seat.

The ‘1919’ armchair is named after the year in which it was designed. Although allegedly designed for a specific person, Filiberto Ludovico of Savoy, Duke of Pistoia, it was to become one of the first great public successes. A re-interpretation of the classic Bergere model, the ‘1919’ adds to its forefathers, with the strength of its characteristics capitonne working used on the backrest. A complementary little arm comes as an optional accessory designed to hold the Dukes ashtray, as he was a famous cigar smoker.

A stylish chair with straight back which gives comfort and looks elegant as a study or dining chair.